FJHmusic.com > Piano Music > Ensemble Music > FJH Piano Ensemble Series FJH Piano Ensemble Series Creative material especially written to explore aspects of artistic ensemble performance. Late Intermediate Greensleeves E1020 / 4.50 Arranged by Frank Mantooth This ensemble arrangement of a holiday season standard is sure to have listeners gathering around the piano. A simple solo introduction of the famous melody leads first into a moderate tempo jazz waltz, then on into more challenging riffs. Lots of interplay between primo and secondo gives this one an intimate, conversational feel so popular with performers and connoisseurs of jazz.   Hanon Goes Haywire Kevin Olson E1073 / 4.50 Late Intermediate A jazzy, super fun ensemble piece for students to play that takes its patterns from Hanon exercises. Originally found in the In Recital® for the Advancing Pianists, Duets book, presented here, now, as an ensemble sheet. This rendition will give students a new and exciting perspective on routine finger exercises! Fabulous for a recital!   Joyous Holiday E1019 / 3.95 David Karp David Karp's peppy one piano four hand ensemble piece, Joyous Holiday, takes off in cut time, with an upbeat, lightly-syncopated tune (Primo), set against a steady, staccato, broken-chord march (Secondo). Some adventurous, bluesy travels add some fun splashes of color, but never stray too far for too long! Eighth-note scale runs in both hands have a "run-and-jump" feel–the melody only returning, as usual, on the off beat. Performers and listeners alike will find this one a joy!   Legend of the Phoenix Kevin Olson E1039 / 4.95 This engaging two-piano, eight-hand ensemble is both mysterious and energetic! Written in 3/4 time, this piece is laced with rhythmic syncopation, and contains equally exciting melodic sections. In the Piano I and Piano II primo and secondo parts, both performers have equivalent prominence throughout.   Maine Mambo David Karp E1026 / 2.95 Rhythmic and witty from the start, Maine Mambo is as fun to listen to as it is to play. Modal in flavor, this ensemble piece contains easy syncopation, parallel chord movements, and other challenges for the late intermediate (and up) student. A terrific and thoroughly memorable recital piece, or festival selection.   My Bold Argentina Kevin Costley E1008 / 3.50 One piano, four hands This late intermediate duet offers something for every student, with its combination of haunting, romantic melodies and contrasting, bold rhythms. The exhilarating coda will also help to make this piece a hit on any recital program. Plymouth Polka E1033 / 3.95 David Karp From the familiar two-bar introduction, through its rhythmic accompaniment patterns, this piece is all polka! It was created for the Plymouth State University Piano Monster Camp, making it a perfect one-piano four-hand festival selection. Both performers will enjoy the melodic interplay between the two parts.   Prairie Fire David Karp E1059 / 4.50 Labeled "Rhythmic and suspenseful," and written for the Emporia Area Piano Teachers of Emporia, Kansas, this duet will undoubtedly be a unique and challenging experience for any late intermediate/early advanced pianist. Both parts contain an equal amount of technical and musical demands, utilizing several eighth and sixteenth note passages, accidentals, and chromaticism. [View Sample Page]   Rock Talk Wynn-Anne Rossi E1056 / 3.50 This energetic duet written especially for the intermediate/late intermediate student is packed with driving rhythms, syncopation, and equally engaging parts. Students will compete for the chance to perform this exciting duet!   Rockin' the Boat Kevin Olson E1063 / 2.95 One Piano, Four Hands This late intermediate duet has a "rock solid" rhythmic drive with a "bluesy" feel, exciting dynamic changes, and a variety of articulations. The interplay between the primo and secondo parts makes this a super-fun piece for your next recital. [View Sample Page]   Sicilienne E1001 / 2.95 Gabriel Fauré Arranged by Timothy Brown One piano, four hands Pianistic and playable, this lovely arrangement of Fauré’s lush melody will develop expressiveness and melodic flexibility. Smoky Mountain Barn Dance E1032 / 3.95 Kevin Costley A fun piece for four hands played in the key of G major that simulates "fiddles" in both parts. The melody in primo is in unison throughout and promotes 8va playing. Both pianists take turns playing the melody which fosters listening skills as well as giving both a sense of ensemble playing.   Smoky Mountain Reel E1025 / 2.95 Timothy Brown This catchy, bluegrass-style (4-hand) duet is sure to have audiences tapping their feet. Skillfully arranged so the melody alternates between the two players, this piece is brief enough to be learned quickly, yet filled with colorful sounds and textures. Ends with a bang!   The Stars and Stripes Forever E1015 / 4.50 Arranged by Kevin Olson This stirring arrangement of The Stars and Stripes Forever, one of the best-loved patriotic tunes in American history, will be a recital favorite for years to come. Using rich, traditional harmonies, this duet is for one piano, four hands. Dynamic, expressive, yet pianistic, this piece is recommended for the teenager or adult because of the abundant use of octaves throughout.   Toccata E1029 / 4.50 Timothy Brown Contemporary in style, yet tonal and accessible, this dramatic showpiece uses traditional technique (scales, arpeggiations, repeating patterns) to produce untraditional results. Filled with sweeping pianistic sonorities and recurring melodic and rhythmic themes. Makes a fabulous recital finale!   The Washington Post March E1016 / 3.50 Arranged by Melody Bober Impressive, traditional arrangement features a rich texture and a bright 6/8 tempo in the key of F major. Covering a wide range of the keyboard, this spectacular piece is perfect for any recital or patriotic celebration. The Young Prince and Princess E1006 / 3.95 from Rimsky-Korsakov's Scheherazade, Op. 35 Arranged by Timothy Brown One piano, four hands This outstanding arrangement of Rimsky-Korsakov's romantic masterpiece is wonderfully choreographed for two players at one piano. Each part offers abundant opportunity for expressive playing. The secondo part is perfect for a teacher or advanced student. Great for ensemble musicianship!   Early Advanced Allegretto E1002 / 2.95 from Symphony No. 3 in F Major) Johannes Brahms Arranged by Timothy Brown Two pianos, four hands Students are sure to love Brahms’ poignant theme arranged convincingly for two pianos, four hands. This arrangement captures the essence of Brahms’ rich orchestration.   Frère Jacques Rocka Op. 70, No. 1 Myra Brooks-Turner Two Pianos, Four Hands E1051 / 4.50 Written for two pianos and four hands, this early advanced duet will prove invigorating for its performers and a delight for the audience to experience. Marked Allegro and composed in 4/4 time, this piece opens in C major, modulates to D flat, and then reverts back to C major. Students will encounter octave playing, sixteenth-note patterns, and parts that are equal in intricacy.   Jazz Suite E1024 / 4.95 Kevin Olson This one piano, four hand Jazz Suite is played out in four movements, exploring contrasting styles and keys, with fresh up-to-date sounds: A Swing Thing has an upbeat tempo, swing eights, walking bass, triplets and syncopation. A Little Latin is a more laid back style, with syncopation, accents, and somba rhythms. Ballad for Julia slows to a romantic mood, with 9th, 11th, and 13th chords used in the harmony. BlueWaltz rounds out the suite in a spunky, lively style, with syncopation and chromaticism.   Old Man of the Mountain E1028 / 4.50 David Karp An exciting duet with just a taste of the atonal, Old Man of the Mountain spans keyboard peaks with repeating scales, arpeggios, parallel chords, octaves and tremelos. Trek through ever-changing rhythmic passages and clusters that echo and fade in the finale. A perfect festival piece!   out...standing Kevin Olson E1062 / 3.95 One Piano, Six Hands A witty jazz swing piece for three: primo, secondo, and a "free-range" pianist who stands behind the bench and contributes low, mid-range, and high passages. A lot of fun for everyone.   Perpetual Commotion E1007 / 4.95 Kevin Olson Two pianos, eight hands Your students will love playing this high energy piece. Featuring driving rhythms and alternating short lyrical melodies, its fast-paced perpetual "commotion" will capture the attention of any audience. A rousing close to any recital!    About Us :: Composers & Writers :: Contact Us :: Conventions & Workshops Piano Music :: Guitar Music :: Concert Band Music Jazz Ensemble Music :: String Orchestra Music :: Solo & Ensemble Music Canzonique Music :: Percussion Music :: :: Home Copyright © The FJH Music Company Inc.