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FJHmusic.com
> Piano Music > Written
for You > Christpher Goldston

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Piano Solos |
Sparkling
and lyrical pieces which promote musical expression.
Christopher
Goldston
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Fiesta Cha-Cha |
W9201 / 2.50 |
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In this original
composition, Goldston inspires us to explore the sounds and rhythms
of a traditional Mexican piece. This early elementary work is written
in Middle C position, making it easy to learn and memorize. Its rich
use of staccatos, slurs, and accents serve as a valuable tool in the
teaching of phrasing and articulation. |
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Sweet Dreams |
W9049
/ 2.50 |
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The tender,
rocking motion of this early elementary lullaby is perfect for
studying legato in both hands. Written in Middle C position. |
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Circus Tumblers  |
W9132 / 2.50 |
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Lively,
happy-go-lucky melody seems to "tumble" up and down in
playful rhythmic patterns that capture the spirit of the circus.
Young pianists will enjoy this piece as it features contrasting
dynamics and the opportunity to use a broad range of the keyboard. |
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Crown Jewels |
W9154
/ 2.50 |
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This stately solo
is a wonderful selection for the elementary piano student. Featuring
a proud melody over a pedal-tone bass, with beautifully choreographed
hand-crossings, Crown Jewels is a work fit for a king! |
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Fast paced and
upbeat, this piece includes phrasing, articulation and a catchy,
fun-filled melody students will enjoy playing. Excellent for
recitals, Festiva! is a high-spirited tune that any audience
is sure to appreciate. |
Listen
to a Sample:
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The Lady and
the Dragon |
W9131 / 2.50 |
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This enchanting
solo is filled with all the fantasy and charm that its storybook
title suggests. The graceful, legato melody of the Ladys motif
is wonderfully complemented by the spirited, staccato rhythm of the
Dragons theme. Sublime modal harmonies throughout. |
Listen
to a Sample:
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Temple Breezes |
W9202 / 2.50 |
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Originally part of Fantastic
Fingers, Book 2, Temple Breezes is now available as a
stand-alone solo sheet. Parallel fifth whole notes in the left hand
deliver an ancient sound to start, while quarter notes outline the
breeze in the right hand above. A lovely, ongoing pedal effect is
later introduced, turning the piece into a kind of wind chime that's
fun to play and hear! Great for teaching students how to sustain a
long, melodic line. |
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Originally part of Fantastic
Fingers, Book 3, Ragtag Rag is now available as a stand-alone
solo sheet. Its sauntering, lazy tune delightfully trips along with
fun, rhythmic articulations (triplet figures; clipped, staccato
phrasing). Some raised and lowered neighbor tones offer additional
melodic interest. A gentle, chromatic base line also leads the rag
toward its conclusion. Goldston has cleanly captured the rag form for
the early intermediate pianist. |
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Written in the key
of C, this early intermediate piece opens with a catchy syncopated
pattern that will energize you right from the start! Clever
contrasting patterns with varied articulations present a fun
challenge for students, and a fun visual for the audience as well. A
great encore for recitals!  |
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Midnight Chase |
W9051
/ 2.95 |
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An exciting,
dynamic piece for performance! This up-tempo solo is to be played
"with energy and intrigue." Features 6/8 time. |
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Mystic Legend |
W9052
/ 1.95 |
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Contemporary-sounding
and pianistic. This haunting solo features an arpeggiated
accompaniment in the left hand, and a singing right-hand melody. |
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This tender,
melodic piece is a good vehicle for working with rubato, phrase
shaping, legato pedal, and broken right-hand octaves. |
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So Goes the Moon |
W9227 / 2.50 |
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This inquisitive,
celestial piece has a wondrous five-note melody. So Goes the Moon
has a kind of Close Encounters theme, but is perhaps best
understood as more personal and introspective. Goldston has
masterfully written a simple piece, with an eloquent sense of awe.
Written for LH alone. |
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