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Piano Solos

Sparkling and lyrical pieces which promote musical expression.

Christopher Goldston

Early Elementary


Fiesta Cha-Cha

W9201 / 2.50

In this original composition, Goldston inspires us to explore the sounds and rhythms of a traditional Mexican piece. This early elementary work is written in Middle C position, making it easy to learn and memorize. Its rich use of staccatos, slurs, and accents serve as a valuable tool in the teaching of phrasing and articulation.

 


Sweet Dreams

W9049 / 2.50

The tender, rocking motion of this early elementary lullaby is perfect for studying legato in both hands. Written in Middle C position.

Elementary


Circus Tumblers

W9132 / 2.50

Lively, happy-go-lucky melody seems to "tumble" up and down in playful rhythmic patterns that capture the spirit of the circus. Young pianists will enjoy this piece as it features contrasting dynamics and the opportunity to use a broad range of the keyboard.


 

Crown Jewels

W9154 / 2.50

This stately solo is a wonderful selection for the elementary piano student. Featuring a proud melody over a pedal-tone bass, with beautifully choreographed hand-crossings, Crown Jewels is a work fit for a king!

 

Festiva!

W9133 / 2.50

Fast paced and upbeat, this piece includes phrasing, articulation and a catchy, fun-filled melody students will enjoy playing. Excellent for recitals, Festiva! is a high-spirited tune that any audience is sure to appreciate.

Listen to a Sample:

Festiva!


 

The Lady and the Dragon

W9131 / 2.50

This enchanting solo is filled with all the fantasy and charm that its storybook title suggests. The graceful, legato melody of the Lady’s motif is wonderfully complemented by the spirited, staccato rhythm of the Dragon’s theme. Sublime modal harmonies throughout.

Listen to a Sample:

The Lady and the Dragon


Temple Breezes

W9202 / 2.50

Originally part of Fantastic Fingers, Book 2, Temple Breezes is now available as a stand-alone solo sheet. Parallel fifth whole notes in the left hand deliver an ancient sound to start, while quarter notes outline the breeze in the right hand above. A lovely, ongoing pedal effect is later introduced, turning the piece into a kind of wind chime that's fun to play and hear! Great for teaching students how to sustain a long, melodic line.

 


Early Intermediate


Ragtag Rag

W9203 / 2.50

Originally part of Fantastic Fingers, Book 3, Ragtag Rag is now available as a stand-alone solo sheet. Its sauntering, lazy tune delightfully trips along with fun, rhythmic articulations (triplet figures; clipped, staccato phrasing). Some raised and lowered neighbor tones offer additional melodic interest. A gentle, chromatic base line also leads the rag toward its conclusion. Goldston has cleanly captured the rag form for the early intermediate pianist.

 


Turbocharged

W9351 / 2.50

Written in the key of C, this early intermediate piece opens with a catchy syncopated pattern that will energize you right from the start! Clever contrasting patterns with varied articulations present a fun challenge for students, and a fun visual for the audience as well. A great encore for recitals!

 


Intermediate


Midnight Chase

W9051 / 2.95

An exciting, dynamic piece for performance! This up-tempo solo is to be played "with energy and intrigue." Features 6/8 time.

 

Mystic Legend

W9052 / 1.95

Contemporary-sounding and pianistic. This haunting solo features an arpeggiated accompaniment in the left hand, and a singing right-hand melody.

 

Sky at Dawn

W9050 / 1.95

This tender, melodic piece is a good vehicle for working with rubato, phrase shaping, legato pedal, and broken right-hand octaves.

So Goes the Moon

W9227 / 2.50

This inquisitive, celestial piece has a wondrous five-note melody. So Goes the Moon has a kind of Close Encounters theme, but is perhaps best understood as more personal and introspective. Goldston has masterfully written a simple piece, with an eloquent sense of awe. Written for LH alone.

 


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